Last Man Standing
$55.00
Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
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Crossroads
Measures 89 x 60cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offset printed for high colour accuracy.
Click to purchase (framed only) exclusively through: FISHMOB
‘Crossroads’. Oil on Linen. 760 x 1220mm. 2020. Private Collection. “Out on Barney’s Lane West, on the Maniototo, with a few of my usual rearrangements and omissions, trying to get to the heart of it. The painting has demands all its own, so removed from the truth.” Grahame Sydney
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Night Approaches Beattie Road
Measures 72 x 56cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offfset printed for high colour accuracy. Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
‘Night Approaches Beattie Road’. Watercolour and Gouache. 545mm x 730mm. 2017. Private Collection. “Close to our home, and part of my ritual mountain bike circuit along the St. Bathans Downs, I’ve painted Beattie Road several times. I find minimal subjects often the most appealing: when little is offered, everything there is more meaningful. Here the story is in what remains – tracks tell where the sheep have been, that a tractor or farmer’s ute must have been here recently, a willow once flourished, but no longer. And the sky confirms another bone-chilling winter’s day is about to end.” Grahame Sydney.
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Rossie at Piza
From the ‘Classic Series’. Measures 60.5 x 61cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offfset printed for high colour accuracy. Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
‘Rozzie at Pisa’. Egg Tempera. 610 x 610mm. 1978. National Collection, Te Papa Tongarewa. Painted in 1978 when living in a cottage on Mount Pisa Station, this portrait of Grahame’s then wife, Ros, shows her standing at the kitchen door of the cottage, lost in her own thoughts. When the NZ Listener conducted a reader’s survey to find NZ’s most popular painting, this portrait was headed only by Rita Angus’s ‘Cass’.