Night Approaches Beattie Road
$65.00
Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
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July on the Maniototo
From the ‘Classic Series’. Measures 66 x 46cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offset printed for high colour accuracy. Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
‘July on the Maniototo’. Egg Tempera. 585 x 750mm. 1975. Private Collection. “In the initial drawings, the railway goods shed was sheltering a wagon covered in an orange tarpaulin, and I painted it that way; but after some unsettled weeks wondering why it didn’t seem to work, I took it out. Instantly the feel changed from one of ‘shelter from the storm’ to a far more bleak and lonely notion, and much the better for it. A perfect example of trusting painterly instinct over truth and reality. My paintings are so often exercises in dishonesty.” Grahame Sydney
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Rossie at Piza
From the ‘Classic Series’. Measures 60.5 x 61cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offfset printed for high colour accuracy. Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
‘Rozzie at Pisa’. Egg Tempera. 610 x 610mm. 1978. National Collection, Te Papa Tongarewa. Painted in 1978 when living in a cottage on Mount Pisa Station, this portrait of Grahame’s then wife, Ros, shows her standing at the kitchen door of the cottage, lost in her own thoughts. When the NZ Listener conducted a reader’s survey to find NZ’s most popular painting, this portrait was headed only by Rita Angus’s ‘Cass’.
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Last Man Standing
Measures 89 x 61cm. Proofed and hand-signed in pencil by Grahame, printed on premium heavy 250gsm satin artboard and offset printed for high colour accuracy. Price includes postage within NZ. Please email for international rates: grahame@grahamesydney.co.nz
‘Last Man Standing’. Oil on Linen. 760 x 1220mm. 2019. Private Collection. “So often my decision to use something in a painting rings a death knell. In this case the tree, on a plateau between Becks and Lauder, was felled by the farmer soon after I drew it.” Grahame Sydney